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How to Write a Summary of an Article? Wall reminded us that Laura talked about polyphony in her presentation the week before, and that that was where we would start the lecture on Bakhtin. There were in fact two completely different melodies happening at the same time.
We were told that, in Romantic music, there is one central melody, and the other instruments are there solely to accompany it. Their job is to reinforce the melody. But with older music, we see that it is possible to have more than one melody at a time, sometimes even four or five.
You can listen to one melody at time or both at once, etc. This example of polyphony in music is basically a metaphor for the way that Bakhtin understood Dostoevsky. In classical literature, the text is dominated mainly by the voice of the narrator, and everything else simply reinforces what the narrator has to say.
With Dostoevsky, this is not the case. According to Bakhtin not AmyDostoevsky is the author of the first polyphonic novel. At this point Dr. Wall stated that Dostoevsky is really just a foil and that other authors could be substituted Diderot for example.
Furthermore, Russian orthodox theology also had an influence on Bakhtin. In the same way that God created man to have free will, the author creates the literary character to have his own free will. In fact, one of the great splits in Christianity is over the doctrine of free will.
Some believe that whether or not you will enter heaven after you die is not determined by you, but rather by fate or God, etc. This is the same idea as the literary character being free to disobey the author.
The underground man is an example of the free will of the literary character. He contradicts everything, he says one and one makes three. From there, we talked about the importance of multiple voices in a novel. These other voices in are just as significant as the narrator, and can even at times contradict what the narrator says.
This is what Bakhtin calls the Copernican revolution. Evidently, Copernicus knew that the earth revolves around the sun. So what Bakhtin is saying is that the narrator is no longer the centre of the novel, but that there can be multiple centres.
Dialogism refers to the idea that in every utterance, there are other utterances that you may or may not hear, but that you have to learn to listen to. To illustrate this point, Dr. Wall started with the example of European languages such as German where you often use the second person to speak to yourself.
An example is when Dr. Whether it is explicit or not, language is always a dialog.
From there, we talked about how, for Bakhtin, language does not belong to anyone. The words we use to express ourselves are not our own, we are just one voice amongst the millions that language is. When we learn a language, we learn it from other people. When you express yourself, you are expressing yourself in a language that you borrowed from someone else.
Naturally there will be traces of that someone else in what you say. It is crucial to remember that in your own desire to express yourself, there are other voices inhabiting your own voice. Not just the words, but the whole idea of discourse.
It is in the flow and use of language. When you hear a single utterance, you can sometimes here the other utterances that are hidden, or the traces that were there before.
And when you speak, all of these voices are going on at the same time, like an orchestra. So in a polyphonic novel, underneath the words you read, you have to learn to listen to the other voices that are hidden.Bakhtin Mikhail Mikhailovich () was Russian philosophist, literary critic and the theorist of art.
He is a representative of Russian Structuralism and his historical and theoretical researches on epic and novel literature are important for understanding of the cultural development. The final essay, "Toward a Methodology for the Human Sciences", originates from notes Bakhtin wrote during the mid-seventies and is the last piece of writing Bakhtin produced before he died.
In this essay he makes a distinction between dialectic and dialogics and comments on the difference between the text and the aesthetic object.
Mikhail M. Bakhtin is best known for his visionary conception of carnival—the carnivalesque, "carnival consciousness," "the culture of laughter"—as a model for the regeneration of time and the. The dialogic imagination four essays bakhtin carnivalesque.
The dialogic imagination four essays bakhtin carnivalesque. 5 stars based on reviews kaja-net.com Essay. Scott fugitive political essays. Student vs professor does god exist essay. walmart the high cost of low prices essay writing.
Mikhail Bakhtin’s dialogism By Pamkhuila Shaiza on September 28, Mikhail Mikhailovich Bakhtin ( – ) was a Russian literary theorist who made contributions to diverse disciples but his contribution towards literature is accounted from his The Dialogic Imagination: Four Essays (Bakhtin, ), which shows congruence to many postmodernist thoughts.
|Mikhail bakhtin carnivalesque essay about myself||Bakhtin and his circle began meeting in the Belorussian towns of Nevel and Vitebsk in before moving to Leningrad in|
The Bakhtin Circle. The Bakhtin Circle was a 20th century school of Russian thought which centered on the work of Mikhail Mikhailovich Bakhtin ().