A fictitious portrayal of a man in a society with a shift in the moral dial from tee-total dry to outright debaucherous wet. The Great Gatsby original jacket cover, A number of biographers have followed the life of F. Scott Fitzgerald with fascination. A man who was known to build many of his stories around people or events of his own experience, has shown evidence of developing Jay Gatsby on a real life bootlegger acquaintance name Max Gerlach.
Although Fitzgerald does much to make her a character worthy of Gatsby's unlimited devotion, in the end she reveals herself for what she really is.
Despite her beauty and charm, Daisy is merely a selfish, shallow, and in fact, hurtful, woman. Gatsby loves her or at least the idea of her with such vitality and determination that readers would like, in many senses, to see her be worthy of his devotion. Although Fitzgerald carefully builds Daisy's character with associations of light, purity, and innocence, when all is said and done, she is the opposite from what she presents herself to be.
From Nick's first visit, Daisy is associated with otherworldliness. Nick calls on her at her house and initially finds her and Jordan Baker, who is in many ways an unmarried version of Daisy dressed all in white, sitting on an "enormous couch. She is routinely linked with the color white a white dress, white flowers, white car, and so onalways at the height of fashion and addressing people with only the most endearing terms.
She appears pure in a world of cheats and liars. Given Gatsby's obsession with Daisy and the lengths to which he has gone to win her, she seems a worthy paramour.
As the story continues, however, more of Daisy is revealed, and bit-by-bit she becomes less of an ideal. Given that she is fully aware of her husband's infidelities, why doesn't she do anything about it? Because he has money and power and she enjoys the benefits she receives from these things, she is willing to deal with the affairs.
In addition, when she attends one of Gatsby's parties, aside from the half-hour she spends with Gatsby, she has an unpleasant time.
She finds the West Egg nouveaux riches to be tedious and vulgar, an affront to her "old money" mentality. Another incident that calls Daisy's character into question is the way she speaks of her daughter, Pammy.
Later, in Chapter 7 when Pammy makes her only appearance, Daisy treats her like an object, showing her off for guests, suggesting Daisy's lack of concern for her child. Daisy's life revolves around Daisy, allowing Pammy in only when it's convenient. Clearly, in real life Daisy isn't all the way Gatsby remembers — but blinded by his dream, he cannot see the truth.
Although Daisy seems to have found love in her reunion with Gatsby, closer examination reveals that is not at all the case.
Although she loves the attention, she has considerations other than love on her mind. First, she knows full well Tom has had affairs for years.
Might this not motivate her to get back at him by having an affair of her own?
Next, consider Daisy's response to Gatsby's wealth, especially the shirts — does someone in love break into tears upon being shown an assortment of shirts?
For Daisy and Gatsby too, for that matter the shirts represent wealth and means. When Daisy bows her head and sobs into the shirts, she is displaying her interest in materialism.
She doesn't cry because she has been reunited with Gatsby, she cries because of the pure satisfaction all his material wealth brings her. He has become a fitting way in which to get back at Tom.
When Tom and Gatsby have their altercation at the hotel in Chapter 7, Daisy's motivations are called into question: Her inability to deny having loved Tom speaks well for her, but at the same time, it suggests that her attachment to Gatsby has been purely business.
Tom also knows that after Daisy realizes Gatsby is not of their same social circles, she will return to Tom for the comfort and protection that his money and power bring.
Although Daisy's true self comes out more and more each time Nick encounters her, her final actions help show what she has been really made of. When she hits and kills Myrtle Wilson, and then leaves the scene, readers know as poor Gatsby still does not that she is void of a conscience.
Perhaps all that white that has surrounded her isn't so much purity although Gatsby, of course, would see it as suchbut perhaps the white represents a void, a lack as in a lack of intellectualism and a lack of conscience.
To Daisy, Myrtle is expendable. She is not of the social elite, so what difference does her death make? To add insult to injury, as if she hadn't betrayed Gatsby enough already, she abandons Gatsby in his death.
After killing Myrtle, Daisy returns home. She and Tom resolve their differences and leave soon thereafter, moving presumably to another city where they will remain utterly unchanged and life will continue as it always does. Daisy, although ethereal in some qualities, is decidedly devilish in others.Life, like The great Gatsby Imagine that you live in the nineteen twenties, and that you are a very wealthy man that lives by himself in a manchine, on a lake and who throws parties every weekend.
This is just the beginning of how to explain the way Jay Gatsby lived his life. This novel, by. The portrayal of women in The Great Gatsby Since the concept of society exists, women have been classified differently from men. Women have always been the "weak sex", which is meant to obey and please men.
Daisy is The Great Gatsby's most enigmatic, and perhaps most disappointing, kaja-net.comgh Fitzgerald does much to make her a character worthy of Gatsby's unlimited devotion, in the end she reveals herself for what she really is.
The Great Gatsby is a novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional town of West and East Egg on prosperous Long Island in the summer of The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession for the .
The Great Gatsby: Meet The Real Life Inspiration For Fitzgerald's Icon In a decade which would spawn the speed boat, Nascar, US Coast Guard, Las Vegas and the modern cocktail, it was the role of the bootlegger to satiate the thirst of an entire nation.
So in these last pages, before Gatsby’s death as we learn the rest of Gatsby’s story, we sense that his obsessive longing for Daisy was as much about his longing for another, better life, than it was about a single woman.